Grid Girls and Poems (part 3)
I was never going to be a good guitarist. Tall people never are: the ultrafine motor coordination required for virtuoso musicianship requires the shorter sorta arms normally found attached to a shorter sorta torso. But I plodded gamely away at it, practising the scales and twanging my awkward way through Sor, Carulli, Tarrega, Bach, Bert Jansch, Stefan Grossman, Chet Atkins and all the usual suspects through my teens and twenties. In the process, partly out of frustration at not being able to get the fast runs right (esp in the Bach Chaconne), I found myself churning out bass lines, chord sequences and melodies, optimistically labelled "songs" (a handful even had lyrics), in accordance with the maxim "if you can't do, teach" (or in musical terminology, "if you can't play, write"). I authored perhaps three or four hundred of these, touting them around the various bands I was in. The response was always the same: "too difficult", presumably...